A4
Artist’s book/installation, 2023
210 x 148 x 28 mm
Language: Swedish
An examination of paperwork as act, through its tactile and visual elements, but also submitting to the A4 printout as medium. The result has been combined into an artist’s book, a scanned PDF and a spatial installation, in a project that looks for poetic potential in the everyday and dull bureaucracy. The entry to the project is partly an interest in printing technology and its role in society, but also how materials affect the book as art object.
Pages: Pencil and inkjet printouts on 80g copy paper.
Photos: David Eng
Mutant studies
Artist’s book, 2022
240 x 165 x 30 mm
Language: English
A study of what beings we tend to create, given the medical and literary tools to a transformal, mutating mankind.
The box contains the mutli-foldable book On mutants, divided into through four sections: The homo superior, the transhuman and the non-human part 1 and 2. The pages of this installable book object can be hung from above, laid out on a table or folded so that the printed text and illustrations connect in various ways. The body of the book is thereby interactive, formable and mutating.
Box: 1,9 mm screenprinted and paperdressed board
Book: Cover: Screenprint on 1,9 mm cardboard wrapped in Nepalese paper
Inside: Screenprint on 130 gsm Scandia 2000 Yellowtone
Binding: Secret Belgium binding
Intaglio prints: Plastic drypoints and copper etchings on 300 gsm handmade India paper.
Opt out
Artists’ book/installation, 2020
230 x 176 x 26 mm
Language: Swedish
An artist’s book on the data gathering of the Silicon Valley-giants.
Case:
2 mm board, screenprinted cloth.
Pages:
Screenprint on folded/ripped Scandia 2000 naturvit 170 gsm.
Cover:
2 mm board, screenprinted cloth
Stains 001
Artists’ book, 2022
205 x 140 x 20 mm
Language: English
The first volume of a continuous piece where stains are traced, vectorised, printed and archived into hand folded cardboard boxes. In this project, I work with a stain's arbitrary, singularzing shape as a visual element, extracted from the surface of which it has been a discoloration of.
Box:
Screenprint on folded, 1.9 mm cardboard
Inside:
Screenprint on Arches Sommersatin 270 gsm.
The Ragpicker Project
Artists’ book, 2021
247 x 174 x 21 mm
Language: English
Site-specific trash assemblance i the neighbourhood Saltholmen in Gothenburg, presented among text extracts and quotes in plastic pockets.
The title is a lit(t)eral interpretation of Charles Baudelaires poetic figure.
Case:
Handcut PVC-board, glue.
Inside:
Folded 240 gsm paper, plastic pockets, assembled trash.
Sanit(ar)y
Artists’ book, 2022
247 x 227 x 5 mm
Language: English
Sanit(ar)y is a project that, as proposed by the wordplay in the title, works with dirt, disorder and its effect on our mental health. The perspective is set on the materiality of this phenomenon through its paraphernalia (cloths, sponges, gloves) and its tactile elements (the surfaces and textures). This materiality is also consistently present in the choice of paper and cover material.
In this project, imprints from various cleaning tools, printed through lithographic stones, are combined with shorter annotations on the subject.
Cover:
Screenprint on Vileda actifaser cleaning cloth
Pages:
Screenprint on 270 gsm Arches Sommerset satin and tracing paper
Binding:
Japanese four-hole binding
Urholkandet
Artists’ book, 2019
235 x 185 x 15 mm
1 mm printed, paperdressed board. 80 gsm pages.
